Batalha Monastery; Edições Asa; 1:260

tino

Senior Member
Mar 17, 2004
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Ponte de Lima Portugal
After a Portuguese monument (Jerónimos Monastery), why not another?

This time, the theme will be the Monastery of Santa Maria da Vitória, better known as the Batalha Monastery, which is also the name of the town where it is built.

The monastery was commissioned by King John I after the Battle of Aljubarrota, as a promise made by the king if the battle went favorably for Portugal. At stake in that battle was the succession to the throne of the deceased King Ferdinand and the King of Castile (Spain did not yet exist as a single kingdom). Portugal had only 6,600 men against Castile's 31,000. Thanks to several factors, the victory was decisive for Portugal to maintain its independence and, moreover, had major consequences for the future of the entire world. Thus, with Portugal's access to Europe limited due to the Kingdom of Castile, it decided to turn to the Atlantic, and from there came the discoveries. We can say that it was King John I and his descendants who promoted all these achievements.



Okay, but let's talk about this model, which is much more challenging than the previous one (Jerónimos Monastery). Although the model dates back to 1988 (37 years ago) and has some simplifications that would certainly be modeled in 3D today, namely in the facades which are smooth and only have printed details. Anyone who thinks it's that simple is mistaken. It also has complicated details. In terms of colors, it's a model that has stood the test of time very well, and the colors used are beautiful. I give a very positive note to its designer, the late José Garcês (a comic book artist), who drew the model entirely by hand.

According to my calculations, the model is drawn on an unusual scale of 1:260 and will result in a reasonably large model without being gigantic.

For now, I'll just leave images of the book pages and the base already glued on, ready to receive the pieces that will make this model come to life and grow! The MDF base was cut by a carpenter and painted by me with spray paint.
 

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These models are really nice when done with care. I was surprised seeing one of these types of architectural models in person, as opposed to seeing them on a monitor. The models give you a respect for what went into the real structures, and interpreting them into paper models. :)
 
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Hallo Zathros,das projekt wird bestimmt super.Ich kann dir nur zusstimmen das so eim Modell es sich im Original vorzustellen.
Hoffentlich ist es ok das ich mein Projekt mit anschließe.Ich höffe ich begehe dadurch keinen Fehler.
Schönen Tag noch.

Hello Zathros,the project will be super.I can only agree to you to imagine the same model in the original.
Hopefully it is okay that I join my project. I hope I do not make a mistake.
Good day yet.


The Hôtel-Dieu is a former hospital in Beaune. It was founded in 1443 and was used as a hospital until 1971. The Hôtel-Dieu is now part of the building complex of the Hospices Civils de Beaune. Today, parts of the old complex are used as a retirement home, while the rest can be visited as a museum and provided an interesting insight into the nursing of the early modern period.
History
Rogier van der Weyden: Nicolas Rolin

After the Hundred Years' War, the people of the Côte-d'Or region suffered from oppressive poverty. Many threatened starvation. In the small town of Beaune, almost three-quarters of all inhabitants were threatened by it, as they had become destitute by the turmoil of war. Conceived by her own salvation, Nicolas Rolin, chancellor of the Burgundian Duke Philip the Good, and his wife Guigone de Salins decided to establish a hospital here:
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“I, Nicolas Rolin, Knight, Citizen of Autun, Lord of Authume and Chancellor of Burgundy, this Sunday, the 4th. Day of the month of August, in the year of the Lord 1443, [...] in the interest of my salvation, striving to exchange earthly gifts for God’s gifts, [...] I establish, and irrevocably bequeath to the city of Beaune a hospital for the poor sick, with a chapel, in honor of God and his glorious mother [...]”

The foundation stone was laid by Nicolas Rolin in 1443, as can still be seen today at the entrance portal. On 1. In January 1452, the hospital took up its first patient.

Rolin provided the hospital with 1000 Tourainer pounds (Livres tournois) annual pension, sourced from the yield of the “Great Saline” of Salins. The management of the institution was in charge of a “maître” which had to lead a community of “pious women” (Beguins), the “Béguines venues de Malines” (→ Great Beginenhof Mecheln, French Béguinage de Malines), which received their order rule in 1459. Pastoral care was entrusted to two chaplains, and finally Chancellor Rolin himself oversaw the further development of the “Hôtel-Dieu”. After his death in 1461, his wife, Guigone de Salins, took care of the hospital.

The hospital was bequeathed extensive land over time by many residents of the region. The allocation of the assets of surrounding smaller hospitals in the 17th. Century improved the financial resources of the hospice even further. Over the centuries, therefore, numerous conversions and extensions took place, but the late medieval appearance remained to this day. The main buildings (north and south wings) date from 15. century. In 17 and 18. Century, stylistically adapted side wings were added, so that the ensemble today forms a square that surrounds the courtyard. Three of the buildings were built in the Renaissance style. Particularly striking are the colorful roofs, which consist of different-colored glazed terracotta toys and have numerous roof hatches. The late Gothic entrance building with its grey stones and the slate roof stands in clear contrast.

Wir sehen uns in der 20. Jahrhundertelang kamen alte Menschen, Behinderte, Waisen, Kranke, Geburtshelfer und Bedürftige in die Einrichtung.